Down (Swept from the previous downstroke), Up, Down String 3: Down (Swept again), Up, Down 2. The Upward Sweep (Descending Scales)
If your last note on the B string is an upstroke, and you are moving to the G string, you continue that upstroke through the G string.
This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later.
) regardless of string changes. While alternate picking provides a strong rhythmic pulse, it creates inherent physical drag when moving between strings. frank gambale speed picking pdf top
This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later.
Take the first exercise (usually a 3-note-per-string C major scale).
The biggest challenge in adopting Gambale's speed picking method is adapting standard scales to fit directional picking patterns. Standard 3-note-per-string scales often create awkward alternate-picking bottlenecks. Gambale solved this by mixing 2-note, 3-note, and 4-note groupings to keep the pick moving in the correct direction. The Pentatonic Speed Pattern Down (Swept from the previous downstroke), Up, Down
Practice crossing just two strings. Isolate the exact moment your pick slides from the downstroke of the first string into the downstroke of the second string. Eliminate any space or "gap" between those notes.
Let the pick rest on the adjacent string after a stroke. This primes your hand for the next note. What to Look For in a Top Frank Gambale PDF Resource
Reimagining the standard blues box to include sweeps, making pentatonic runs sound like liquid fire. This link or copies made by others cannot be deleted
The absolute hardest part of Gambale’s style is synchronization. Because the picking hand moves in a continuous, smooth brush, your fretting hand must be incredibly precise. If your left hand is a millisecond late, the run will sound like a sloppy, blurred chord rather than crisp, individual notes. The Legacy of Economy Picking
Frank Gambale’s core philosophy relies on and Sweep Picking . Instead of changing pick direction every time you change strings, you push or pull the pick through adjacent strings in a single, fluid motion.