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“I am a keeper of doors that never close, In a house of stories where time is a rose. When night falls, I’ll walk the aisles alone, To stitch the broken, to bring the unknown.”
Catherine’s “Little‑Caprice”—the mischievous, daring part of her—had found its purpose. She had taken the risk of opening the journal, of writing her own dream into the collective, and in doing so, had awakened the town’s dormant imagination.